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A murder of Barbies

Today, we went to the Denver Museum of Miniatures, Dolls, and Toys. The kids were very skeptical because how can a museum about miniatures, dolls, and toys be very cool? Seriously? This is how we are spending our Sunday afternoon? I think they pictured a sterile, roped off environment and not a hands-on and up-close experience.

They loved it, of course. All of them studied the intricately detailed rooms in several amazing dollhouses. The painstaking work it took to create tiny, tiny, tiny tacos in the Sante Fe adobe homestead makes my eyes cross. I pictured squinting people with tweezers and impossible steady hands building many of the rooms, towns, and railroad villages we admired. Many of the dollhouses are replicas of actual stately and historical homes.

The most talked-about display on our trip home was the miniature circus, complete with the parked trailers for the carnies. I love how they were towed by battered Matchbox cars and trucks. Looking at it was not unlike a view one would have if they were floating in a big silver balloon.

I got a little too excited by the display of vintage Fisher Price toys, which included the castle with the little people (choking hazard size!), grandfather’s clock, the scrolling TV, the ball with the rocking horses and swans—which we had. I never imagined as I watched my little brother gum it that it would be museum worthy some day.

The museum has dozens of vintage Barbies. What is a gathering of Barbies called? I proposed a “murder” of Barbies. I liked them, though, especially the ones from the 60s with the jutting black eyelashes and hats. Of course, no doll museum can be without Madame Alexander dolls, which I collect for Beatrix and Aidan via the extremely classy method of buying them at McDonald’s when they are the Happy Meal toys. I enjoyed seeing them full-sized and not-spooky.

We spent almost 2 hours poking around the galleries. There were several hands-on spots. The kids played vintage Nintendo from the olden days, built Lego walls, and had the chance to play with a dollhouse on the floor of a sunny room, which was also filled with books and other toys.

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On the way out, kids are invited to take small trinket toys from a treasure chest, or they can choose a handmade yarn doll from a bin. Beatrix chose a pink doll, which she unravelled as soon as we got to the van. When we got home, she brought a blue ballpoint pen to me, asking if I could draw eyes on the wad of yarn. Doesn’t work that way, kitten.

My boys picked more practical mementos of the afternoon.

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Before it was Elmo’s world

Sesame Street is 40. I am not far behind.

My kids don’t watch Sesame Street unless I am experiencing deep nostalgia for my big-collared, Quik-drinking days. I find videos on YouTube for them to watch, or I’ll pull out my Old School Sesame Street DVDs.

They love the King of 8, The Queen of 6, the clumsy baker who falls down a flight of stairs with baked goods, the funky pinball machine, the lowercase n (standing on a hill), the red ball on the little rollercoaster, the hardworking dog, the pig who loves being a pig, the baby and the messy cookie, Bert ice-skating, Ernie blasting music to drown out the sound of dripping water, the Doodlebugs, the Yip-Yips and their encounter with the telephone, Kermit THE Frog reporting from Don Music’s studio, Grover serving a monstrous hamburger to the blue bald guy, Beat the Time with TV’s favorite moderator Guy Smiley, and the kid who buys milk, bread, and butter.

Note: No Elmo.

There are no classic videos staring Elmo or Rosita. Quick, name your favorite classic Zoe sketch! You can’t. All the creativity and envelope-pushing of the glory days of Sesame Street is gone. I’m at the point I don’t care if the show lives or dies. That might seem harsh, but with all the material they’ve produced over 40 years, I think it’s safe to say kids will be able to learn about the number 7 and the letter R for decades to come. Those fundamentals haven’t changed. 12 is 12 is 12 and the Ladybug’s Picnic is still appreciated by fresh eyes.

Not so fast, say the current producers of Sesame Street. Kids these days are different from kids who grew up in the funkified 70s and neon 80s. The liner notes from the original release of Old School make this claim:

“These early ‘Sesame Street’ episodes are intended for grown-ups, and may not suit the needs of today’s preschool child.”

If an episode from 1975 suited the needs of “today’s preschool child” there would be no reason to produce new episodes, methinks.

Sesame Street is trying to keep up with the times and remain relevant. They’ve had Feist, Jack Black, Anderson Cooper, and Michelle Obama as guests recently.

When I was a kid, I don’t remember John Ritter popping by to be the third roommate with Bert and Ernie in a spoof of “Three’s Company.” Can you imagine the potential? The show simply got by on the revolutionary concept of imparting knowledge in quick, snappy video clips shown in between puppet/human banter.

This tells me one thing. They are trying to capture someone’s attention. Whose? Not a 4-year-old’s. They are after parents, appealing to our sensibilities and desires to get the joke. That might bring people to the local PBS affiliate to watch, but it’s the child who ultimately decides if the show is worth his or her time. There is heavy competition, and Sesame knows this.

Take the relatively recent introduction of Abby Cadabby. She seems like a character created in a marketing meeting. She was born to be on a soft-sided lunch box.

Sesame Street merchandise has been around long before Elmo was born, though. Because it is publicly funded, the sales of toys and books have always been an important part of keeping the furry workshop running.

I collect old Sesame Street books because I like the original, scribbled look of the characters. This book was published in 1971, the same year I was born. I found it at a thrift shop.

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Cookie Monster and Ernie make a mud pie and eat it. Mmmmm. I’ve always wondered what the backyards of the Sesame brownstones look like. Here, you can see:

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Here is a page from the 1981 edition of Oscar’s Book. Note how completely dorky Big Bird is in his unbridled friendliness. I love him, but I love Oscar even more in his Nellie Olsen wig.

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My sister was and is such a huge fan of Grover, she owned 3 stuffed Grovers of various sizes. Once, I took her biggest and most beloved Grover from her when we were on a car trip, driving from Denver to Grand Junction. I rolled down the automatic window in the backseat of our green wood-panelled station wagon, stuck Grover outside, rolled it up so the window pinched Grover’s nose tightly, and let go.

Grover flapped in the wind at 55 mph (this was President Carter’s 70s) going up I-70 toward the summit of the continental divide.

I don’t know why I did it. Everyone in the car hated me for a split second. Grover survived, although is nose had a little crease.

It was a very Oscar thing to do. Elmo would never dream of torturing a toy, or a sister, in that way. I’d rather have Elmo children, but it’s an Oscar world.

I will be surprised if Sesame Street is around for another 40 years. Can they keep up with “today’s preschool child” who demands new and interesting ways to learn about lovely eleven mornings and lonely lowercase letters?

Is it the kids who have changed or us?

The 10-month old in his native environment

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